Short Cuts 2: Weekend, 1967, Jean-Luc Godard
Aaron West does another solo cast looking at one of the later Godard works, as well as one of the most inflammatory, and one of the strangest. That’s saying something for Godard. He talks about the tracking shot, the political message, the references to film, and whether Godard was serious or just toying with the audience.
Or listen here to it here:
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