Category Archives: Film

CCU35: Lady Snowblood, Don Hertzfeldt, 4K TVs

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Mark and Aaron change things up by talking about a variety of topics. We delve into Don Hertzfeldt, Lady Snowblood, our recent purchases, films we’ve seen lately, Criterion news, and a strange story about a trolling incident.

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CCU33: The Graduate (1967)

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Mark, Aaron, and Tim are seduced by plastics. We explore what turned out to be a pivotal film in Hollywood history. The Graduate paved the way for many films to come, from casting lead actors, film structure, cinematography, and to the use of music in film. We explore the complexities of Ben’s relationships, speculate about the ending, and flesh out the time period in which the film was made.

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CCU32 – Gross Out Episode (Part Two)

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Mark, Aaron, Cole, and Dustin are back to continue the conversation about “Gross Out” films. We explore a number of other releases. This time we strike a balance between artistry and filth, and try to find redeeming qualities in some of the films considered to be among the grossest of all time. We cover genres and movements, including Giallo, 80s horror, New French Extremity, and the Cannibal series.

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CCU31 – Antichrist & The Gross-Out Episode (Part One)

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Mark, Aaron, Cole, and Dustin go further than most people want to go. This is our exploration of the gross film, and whether the subgenre has any artistic merit. Our main episode is a deeper look at Lars von Trier’s Antichrist (2009), followed by a history of gore and violence in film, and then a discussion about Ken Russell’s The Devils (1971) and Pier Paolo Pasolini’s Salò.

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CCU29 – Fat Girl (2001)

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Mark, Aaron and Kristen Sales give Catherine Breillat’s Fat Girl a look. We look at Breillat’s methods, and the points about women in society she is trying to make. We delve into feminism, fat shaming, and the dichotomy between the lives of men and and women. We also take a close look at the shocking ending, and try to reconcile what she is trying to say about the world.

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CCU28: Slacker (1991)

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Mark and Aaron are joined by Cole & Ericca from the Magic Lantern Podcast. They are Austin, TX residents and shed a lot of insight into this landmark independent film, Richard Linklater and his involvement in the Austin Film Society. They also talk about how the film reflects the city of Austin, and how much the place has changed in the years since.

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CCU27 – Canadian Close-Up

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Mark and Aaron take a trip north to the wonderful world of Canada. This is a special, unscheduled episode to celebrate the O’ Canada Blogathon. We talk about all things Canadian, including our Canadian Connections, film and media culture from Canada, and two particular films from The Criterion Collection — Videodrome and My Winnipeg.

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CCU26 – Jellyfish Eyes (2013)

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Mark and Aaron are joined by Matt Sheardown of … Criterion Close-Up. You heard right. Long story. Matt is also a video games expert, so we borrowed his expertise as we broke down and evaluated the controversial Criterion release of Takashi Murakami’s Jellyfish Eyes. We discuss the visuals, the influences, the intended audience, and how to classify it as a genre. We also ask the big question, which many have asked since the announcement — is it worthy of Criterion?

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CCU25 – Dont Look Back (1967)

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Mark, Aaron and Keith Enright give a look at D.A. Pennabaker’s documentary portrait of Bob Dylan in Dont Look Back (the no apostrophe is intentional). This was a pivotal period in the artist’s career, and both the film and the music were influential. We dig deep as to what type of persona Dylan revealed, the cinéma vérité filmmaking style that captured him in his element, and also his attitude towards the press and others who wanted to label him.

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CCU24 – A Conversation with Caitlin Kuhwald

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Illustrator extraordinaire Caitlin Kuhwald joins us to talk about her artwork and the Criterion Collection. She is a professional artist and has worked extensively with The Criterion Collection, illustrating covers for Amarcord, To Be or Not to Be, The Organizer, and many others. She talks about her film tastes including unveiling a new Criterion Top Ten, talks about how Criterion champions illustration, and weighs in on recent covers.

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